Cartoons Underground 2025 Brings Two Screenings Of Dynamic Animation Shorts at *SCAPE's The Ground Theatre on 1 November 2025

If you have not noticed, the Red Dot Diva blog was in hiatus for most of this year. Red Dot Diva had to deal with her mom's declining health and dementia. Due to this, her mom had to be placed in a nursing home for better long time care. With the loss of the matriarch in the home, other family and personal matters had to be managed as well. However, Red Dot Diva is now ready to revive the blog in some limited capacity, and she is delighted to bring this piece of announcement about an event that adds so much colour to the local arts scene.

Cartoons Underground, South-East Asia’s top indie animation festival, is back this year despite a major setback regarding the loss of the favourite and longtime venue, The Projector cinema. After the unexpected news of The Projector's closure, Cartoons Underground 2025 was almost cancelled. Fortunately, with the last minute help of new venue partner *SCAPE, the festival is raring to go with a bigger than ever programme on 1 November 2025. For the first time, there will be two screenings held for the afternoon and evening programme, consisting of 2 1/2 hours screening of a selection of bold and creative indie animated shorts. Included in the programme are also live Q&As, and the event's iconic Golden Durian Awards, presided by judges Huang Junxiang, Khoo Siew May and Ning Xuan Tan.

“We were very close to not being able to stage the festival this year,” says Festival Co-founder Vicky Chen. “Thanks to *SCAPE, we can bring our community together once again—and on a bigger scale than ever before.”

As in past years, the event's screening will feature an eclectic mix of local and international animation shorts, which include four films by homegrown student filmmakers and 16 global entries that include award-winning entries screened at international film festivals like Annecy, SXSW and Cannes. Festival attendees might want to look out for these film highlights - Mountain Mountain by Singaporean students Grace Cheu and Ben Tan, a story about two young adults searching for “mountains in Singapore” on a Mount Faber cable car ride; S The Wolf by Egyptian filmmaker Sameh Alaa, whose previous work won the Palme d’Or at Cannes; and Pear Garden by Iranian animator Shadab Shayegan, a BAFTA-longlisted film exploring the bond between a granddaughter and her grandmother after breast cancer surgery.

LASALLE College of the Arts is also continues to support young filmmakers as Education Partner for the festival. Chris Shaw, Head of LASALLE’s Puttnam School of Film & Animation, says: “We are excited to partner Cartoons Underground once again this year. Collaborations like these that bring education, industry and community together are absolutely vital to develop a thriving animation scene. Singapore and the region have an incredible wealth of creative talent that deserves to be showcased on significant platforms like this. Festivals like Cartoons Underground are essential for our students. Having their work seen by the wider community and industry, not only motivates them with a sense of accomplishment, but also builds confidence and creates pathways onto the international stage.”

On 25 October 2025 (Saturday), a week before the festival, Cartoons Underground will be presenting a masterclass and panel entitled Animating Tomorrow at LASALLE College of the Arts. This session will feature indie and industry professionals Paul Fu (Ubisoft Singapore), Ervin Han (Robot Playground Media), Vann Law (Rouge Collective), Race Krehel (Metamo Industries), and Exyl (Independent Filmmaker & Programmer), who will share about their individual journeys in the art of animation and help participants explore how they can keep their animation fresh and future-ready.


Check out the details of this industry event below. Do hurry, as there are only a few tickets left!

Animating Tomorrow – Industry Meet-Up
Date: 25th October 2025 (Saturday)
Venue: LASALLE College of the Arts, 1 McNally Street Blk F, Lvl 2, Room F208 Singapore, 187940
Time: 2PM – 530PM
Tickets: Free, but please sign up at https://tinyurl.com/AniTmr-panel

*SCAPE will be transformed into an animation playground for the upcoming festival. Expect to experience an interactive virtual street-art gallery inspired by Kampong Glam (created with Metamo Industries), enjoy scrumptious food from Kult Yard and Lavi Tacos, and check out creative booths that bring Southeast Asia’s animation community to life.

For a taste of what will be in store on 1 November, here's a trailer of the brilliant animation films that you would be able to catch at the screenings:

Having attended a few iterations of Cartoons Underground, Red Dot Diva recommends those who want to support local creative endeavour or wish to do something different to come for the screenings. You will be wowed by the amazing filmmakers that we have nurtured here. Who says Red Dot Island is boring???


Cartoons Underground 14th Edition
Date: 1st November 2025 (Saturday)
Venue: *SCAPE, The Ground Theatre, 2 Orchard Link #04-05 Singapore, 237978
Time: 4PM – 11PM
Tickets: https://tinyurl.com/cartoons2025
Festival Pass (Programme A + B):SGD 35
Programme A Only (4PM):SGD 15
Programme B Only Q&A + Awards Ceremony (7PM):SGD 25
Festival Pass (Programme A+B) (Student):SGD 25
10% Off Group Buy: SGD 157.50
Website: www.cartoonsunderground.com


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Cartoons Underground 2024: Interview With The Creators Of Animation Short Film "I Think I'm Going To Die"

Southeast Asia's largest independent animation festival Cartoons Underground 2024 will be having a one-night only animation short film screening on 19 October 2024 at The Projector @ Cineleisure. The screening will feature a total of 14 specially selected films.

One of these films in the Singapore Student Competition segment is a stop-motion animation and mixed media feature entitled “I Think I'm Going to Die” by Ning Xuan Tan, Audrey Yong and Meghan Poh. The trio are recent graduates from Nanyang Technological University, School of Art, Design, and Media, and “I Think I'm Going to Die” was their final year project. The film is about a young girl who discovered that she had a mysterious condition, and in a panicked state, scurried around looking for a diagnosis.

From left to right: Ning Xuan Tan, Audrey Yong and Meghan Poh

Director Ning Xuan Tan is a writer, editor and illustrator and loves telling stories that create compelling emotional connections. Her first film “Paper Offerings,” co-directed with Vanessa Ng and Winona Mazo, has been selected for a number of film festivals and was won first place at the 100-Second International Film Festival in Tehran.

The Art Director of the short film is Meghan Poh, a designer, illustrator, and animator, who enjoys experimenting in different ways of telling visual stories. Rounding up the core team is Head of fabrication, lights and rigging Audrey Yong, the stop-motion expert who also has a specialisation in 2D drawn animation and compositing.

Red Dot Diva had the pleasure of interviewing the team, and asked them about their process while creating “I Think I'm Going to Die”. They also shared with her what their aspirations are in the near future!

Red Dot Diva: Congrats for getting selected for Cartoons Underground! What made you decide on the theme of your short film?
Ning Xuan: Animation is a vehicle for spreading awareness and bringing experiences to others, so I really wanted to do a social issue which many could relate to. It was also exceedingly important to me that I was very familiar with the topic. So the theme of women’s health, followed by a bit of cyberchondria just seemed to be a good theme to talk about. I think in our world today, it’s just so easy for us to google search our illnesses. And then we’d have to try to figure out whether or not we’re actually dying, or is it just a part of being a woman.

Audrey: Animation is also the best medium for trying to visualise and communicate issues to a larger group of people who would never in their life experience the same problems. It’s very “If you know, you know” when it comes to women’s issues, so we wanted to make something that would instantly connect with other girls.

Red Dot Diva: Stop-motion animation is such a back breaking art, with so many bits and pieces involved in its process. How do you get things organised so that you can be creative and yet meet your deadlines?
Ning Xuan: We had clear roles, but we ended up being quite chaotic. What we wanted to do was to complete our film (from making a set, to animation to compositing it into a video) in sections, based on the mediums. And each person would have a job in that medium, like rigging the puppet, building the set, animating, post-production etc. So we’d set deadlines for ourselves, creating a pipeline and hoping to be done with a medium and then moving on to the next medium.

But we were slow because we had to keep experimenting and working things out. Our pipeline of work would fail because of this, and we’d jump over to help each other which slowed us down more. We’d end up juggling multiple jobs. I think there were times when I didn’t have a rest day at all for weeks because we couldn’t meet our deadlines.

Still it really helped that our film had so many things to do, I’d find myself editing, making paper flowers, colouring with crayons, felting, and then sculpting a plunger. So creatively, I was never completely burnt out since there was always something new and exciting to do. In that aspect, it meant that I was always quite productive. And once things were going, it was easier to be inspired and motivated to finish the scene. I would always feel incredibly happy after we complete a shot, because just seeing all our hard work put together, even if it’s just a few seconds, makes it all worth it.

Audrey: It’s organised chaos for a film at this scale – we always plan things to go one way but end up realising that it’s not realistic while we’re in the midst of it. Our flexibility with our planning both helped and hindered us, but I think it was the reason we got it all done in the end. The key was to make sure we were all doing something at any given point in time – if I’m still fixing Lily’s puppet for one scene, I’d ask Ning Xuan to help me get the set for the next scene ready in the meantime, while Meghan animates the shots in a different scene that doesn’t require the puppet I’m currently fixing. As long as we were optimising for simultaneous work, we were somewhat on the right track.

Red Dot Diva: It's interesting to note that the film involves different animation mediums and styles. What is it about the story that fits this choice of direction?
Ning Xuan: I wrote this story knowing that I wanted a stop motion animation film that could let me experiment as much as possible. With this in mind. I thought of creating a story of a girl that could travel through different worlds searching for a diagnosis. So this gives us an opportunity to reasonably use different mediums and styles throughout the film. Our professor, Bernhard, would also always tell us, “why use stop motion? Why not 2d or 3d animation?” He would try to get us to think about why we are using a certain medium for each part of the story. So the entire story was really carefully considered with each medium.

Meghan: The core of the story is really about transformation, Lily (the main character) is changing physically and psychologically, and the way the world sees her is changing as well... it’s fitting that the film’s art direction is all about shifting from medium to medium!

The medium changes are also done very deliberately—there’s one transition from sand to paper that blends the two materials together and even uses a special puppet only present in that transition—and this all underscores the journey that she is on. I really enjoy when films use visual techniques usually reserved for epic drama to illustrate the emotional impact of seemingly mundane experiences. Lily is facing something completely unfamiliar to her, her world is turning on its head, and animation is such an imaginative medium to pull the audience along for the ride.

Red Dot Diva: What were the best and worst parts of making this film?
Ning Xuan: I think the best part is being surprised by how good a medium looks as a final product. There were a lot of times we were just going in blind not knowing what we’re doing half the time, just trying our best. My team would always say we just have “5 bucks and a dream.” And then we’d be in complete shock when we light it all up, set up our camera and things actually look amazing.

The worst part for me was the uncertainty of the whole film. Sometimes, it just felt as if our hard work amounted to nothing. Because we were working so hard, experimenting and yet we wouldn’t have a lot shot on camera. The thing about stop motion is that more time can be spent making and preparing things, and if we don’t do this well it’s super hard for the animator to animate. So we were always slow in our cohort because we didn’t have just as much filmed and shot as they did. But I’ve come to accept that stop motion is all about problem solving disasters. And while we were slow we completed things at a good pace and even managed to finish the film early.

Meghan: The best part is that I came out the other end still loving the process of animation, thanks to a wonderful team. I don’t think most people get to see how tedious, lonely, and borderline painful animation can be—spend hours and hours in a dark little room pushing grains of sand around in very specific ways and you start to lose your mind a bit. The worst part is that I’m not sure when I will have the time and resources to make something at this scale again...

Audrey: The worst parts for me were all the unprecedented problems we encountered. There’s a lot of unknown when it comes to stop motion because it’s a lot harder to execute than any other kind of animation - our built assets need to last, our rigs need to function the way our animators need it to, etc. At some point I was literally fighting science because the type of silicone rubber I had just happened to be the kind that didn’t cure when in contact with resin. Things like these are impossible to account for without experience, so it really felt like we were wandering around a dark room with no flashlight in those moments. The best part was probably the entire process of making something in stop motion. I’m now more convinced than ever that this is something I wholeheartedly love and enjoy.

Red Dot Diva: What is your favourite stop-motion animation movie?
Ning Xuan: A classic for me would be Coraline, I watched this so many times when I was a kid I could recite the script. I just love how uncanny it looks. But currently? I have to say Pui Pui Molcar. There’s just something about both films that really shows that every scene was handmade with love.

Meghan: It was an experimental stop-motion short that made me decide to major in animation: Furniture Poetry by Paul Bush. I didn’t know that animation didn’t always have to be representational or narrative-driven.

Audrey: The one that stuck with me the most from my childhood was The Boxtrolls. But I’ve also been really loving Pokemon Concierge.

Red Dot Diva: After the premiere at Cartoons Underground, what are your key aspirations regarding the art of animation film-making?
Ning Xuan: We’ve been trying to work out something as a team again to make another stop motion film for fun. I just love stop motion so much it would be a shame if I can’t do this again, I will just be open to opportunities in the future.

Meghan: I want to make a film again, whether it’s with this team or on my own or in some other way. It’s a really rare, precious opportunity to make a movie that isn’t business and doesn’t have to bend to the world, one that I’m not sure will come by again.

Audrey: Future stop motion projects aside, I’m interested to see how far we can carry the stop motion medium with us. I feel like it's so rare to see stop motion outside of a film format. It would be really cool if we had the opportunity to work on a stop motion game or visual novel.

Red Dot Diva finds it super exciting to see how energetic and imaginative our local animation and film students can be, and you will be even more impressed by their work when you watch their short films at Cartoons Underground 2024 next weekend. Go grab those festival tickets now!


CARTOONS UNDERGROUND FILM SHOWCASE
Date: 19 October 2024 (Saturday)
Times: 7 PM
Duration: 1 hr 36 min
Venue: The Projector @ Cineleisure - https://theprojector.sg/films-and-events/cartoons-underground-2024
Admission: Standard tickets at $20 each. VIP Ticket at $40, includes exclusive Cartoons Underground 2024 Merchandise

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Cartoons Underground 2024 - Watch 14 Stunning Animation Short Film Showcase at The Projector @ Cineleisure (19 Oct 2024)

Craving to feast on animation films other than those blockbuster aesthetics produced by Disney, Pixar, Dreamworks and the like? Then, it's time for you to head to Cartoons Underground 2024, Southeast Asia's largest independent animation festival.

The 13th iteration of the animation event will showcase a lineup of 14 specially curated shorts from Italy, the US, China and of course, Singapore, on 19 Oct 2024, 7 PM at The Projector @ Cineleisure. These films - which feature different styles of animation like 2D, 3D and stop-motion animation - were selected from 1,500 submissions from over 90 countries. Expect to watch stunning animation films with topics that range from sex positivity, mental health, friendship, horror and the classic good versus evil.

Premiering at the festival is “She and Her Good Vibrations” by Olivia Griselda and Sarah Cheok, a bold story a woman's sexual discovery. This film was developed in Cartoon Underground's Story Development Lab back in 2021. Other notable films include Dahee Jeong’s “Society of Clothes,” where everyone exists only as clothes; Greg McLeod’s comical, philosophical take about filmmaking entitled “Mee and Burd,” and Animation Youtube titan, Patrick Smith’s “Broken,” which tells the tale in his signature style about the eternal battle between good and evil.

Since the roots of Cartoons Underground originate locally, the event also highlights the wonderful work of Singaporean student filmmakers and artists of Asian heritage with 2 International Programmes and 1 Singapore Student Programme. In the Singapore Student category, NTU Art, Design and Media (ADM) makes a strong showing this year. Four out of the five films presented are from the school, and include “Neh Neh Pok” which tackles body positivity, and the dialogue-less and emotional drama “The Seamstress' Secret,” as well as Ning Xuan Tan's “I Think I'm Going to Die,” a striking film about a girl's odd affliction that uses diverse animation techniques.

For the full list of the 14 animation films featured, check out the programme list at www.cartoonsunderground.com. Here's the trailer so you can take a peek of the selected films:

For those who want deeper insights to the art of animation, Cartoons Underground will be hosting a special event called Behind the Screams: Masterclass on Singapore Horror Adult Animation, which will take place on 17 October 2024 from 6PM to 9 PM. The horror-themed masterclass (perfect for the Halloween season!) will feature two upcoming horror-themed animated TV Shows: “Zombie Safari” by Finding Pictures Studios, and “A Banquet for Hungry Ghosts” by Robot Media Playground! You will get to learn about TV animation production, and engage with the speakers Ervin Han (Robot Media Playground), Mark Wee (Finding Pictures Studios) and Jerrold Cheah (Finding Pictures Studios) at the Q&A.

Cartoons Underground is a fantastic way to appreciate the vast range of animation talent out there, especially those based here locally. Red Dot Diva attended the film showing for the first time last year, and it was an eye-opener. It is amazing that amidst layoffs and closures of large animation studios like Lucasfilm, there is still a strong presence and animation talent burgeoning on our island and in the region. So, if you want to try something different, go get a ticket at this very unique one-night-only premiere.


CARTOONS UNDERGROUND FILM SHOWCASE
Date: 19 October 2024 (Saturday)
Times: 7 PM
Duration: 1 hr 36 min
Venue: The Projector @ Cineleisure - https://theprojector.sg/films-and-events/cartoons-underground-2024
Admission: Standard tickets at $20 each. VIP Ticket at $40, includes exclusive Cartoons Underground 2024 Merchandise

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Artscience Museum To Host Interactive The World of Studio Ghibli Exhibition (4 Oct 2024 To 5 Feb 2025)

Artscience Museum will be hosting THE WORLD OF STUDIO GHIBLI exhibition from 4 Oct 2024 to 2 Feb 2025. This is a show that Studio Ghibli fans simply cannot miss!

The interactive showcase which features the charming Ghibli universe was held in Bangkok last year. Previously, the exhibition delighted fans in major Asian cities, like Hong Kong and Taipei. In a couple of week's time, THE WORLD OF STUDIO GHIBLI's latest iteration will land on Red Dot Island, and Red Dot Diva (who has probably watched all of the Ghibli movies), can't wait for it!

In case you are not familiar with Studio Ghibli, here's a brief history of the iconic Japanese animation studio. The company was founded by directors Isao Takahata, Hayao Miyazaki, and producer Toshio Suzuki in 1985. The studio's unique worlds and imaginative story-telling, depicted through detailed and emotive hand-drawn animation, are the key ingredients that have captivated film lovers worldwide. In a world flooded with flashy CGI effects, Studio Ghibli's hand-drawn films are exceptionally precious and special.

Studio Ghibli has received Academy Awards nominations for 7 of their films, and won Best Animated Feature for two of them - Spirited Away in 2003, and The Boy and the Heron in 2024.

Fans visiting THE WORLD OF STUDIO GHIBLI can expect to immerse themselves in 16 large and detailed theatrical sets displayed in 11 film galleries. These hail from beloved Ghibli movies, including My Neighbour Totoro, Spirited Away, Kiki’s Delivery Service, Howl’s Moving Castle, Princess Mononoke, and more! The upcoming show will also include the latest award-winning movie The Boy and the Heron. Needless to say, this would mean ample opportunities for your selfies and wefies. Who doesn't want to sit on a train carriage with No-Face?

You can also learn more about Studio Ghibli's intricate and creative process through 16 box art and trick-eye installations. At the end of it all - a retail store awaits you! Get prepared to be tempted by all those official Ghibli merchandise.

During the announcement of the exhibition, Vice President of ArtScience Museum Honor Harger said, "This year ArtScience Museum presents one of our largest and most ambitious exhibitions to date – The World of Studio Ghibli. It showcases the work of one of the most important cinematic production houses in the world, who have created some of the most beloved and critically acclaimed animated films of all time. We are incredibly honoured to host the first major exhibition by Studio Ghibli in Singapore.”

Studio Ghibli added: “We are delighted to have the opportunity to hold The World of Studio Ghibli exhibition at Singapore’s prestigious ArtScience Museum – a venue which is highly esteemed by Japanese visitors and many others. This exhibition will transport visitors into the realm of Studio Ghibli, where they will get to experience the films first-hand. Whether you are a Ghibli enthusiast or a newcomer, the exhibition offers something for everyone. As a leading destination for tourism and business, Singapore welcomes people from all around the world, and we hope they will also visit the exhibition to encounter the world of Ghibli and become fans of our films.”

Tickets are already available for purchase via Klook and Marina Bay Sands box offices. The prices for non-Sands LifeStyle members range from SGD 29 to SGD 49 per adult, depending on whether you are a local or not, and also, if you are visiting during peak or non-peak hours. Sands LifeStyle members will enjoy discounts on the tickets. There are also family ticket bundles. More details can be found at the two venues mentioned above.

THE WORLD OF STUDIO GHIBLI is expected to draw in a crowd of local as well as regional fans. So, in order not to miss out on the show, do get your tickets and book your choice slots early!


Dates: 4 October 2024 to 5 February 2025
Times: 10 AM to 7 PM (last entry is 6 PM)
Venue: ArtScience Museum, MBS
Admission: Visit Klook or MBS box offices (see links above).


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Cartoons Underground 2023 - Watch 15 Brilliant And Hopeful Animation Film Shorts At The Projector (25 November 2023)

Humanity is currently facing tough challenges of a global and personal scale - a devastating pandemic that brought life around the world to a grinding halt, ongoing political conflicts and wars, the effects of climate change, growing mental health issues all around the world as well as the encroachment of artificial intelligence. The annual Cartoons Underground event, SE Asia’s top Indie Animation Festival held in Singapore, aims to offer fun and hope to its audience as they navigate these growing concerns.

“There isn’t an elephant in any room anywhere that can’t be improved by being coloured pink and given a speech bubble,” says festival co-founder Vicky Chen. Chen began the community-driven Cartoons Underground in 2012 together with Patrick Smith, Director of MTV Daria.

“We are living through turbulent, challenging times as individuals and as a society. It’s a time of change and while change is inevitable it’s ultimately how we respond and adapt to it that defines us. And I hope that watching these films will help our audience to make sense of these challenges,” adds Festival Director, Jerrold Chong.

Diva's Movie Review - Spider-man: Across The Spider-verse Is A Dazzling Work Of Art

Just after two weeks of its theatrical release, SPIDER-MAN: ACROSS THE SPIDER-VERSE raked in an impressive USD 400 million at the global box office. Achieving this box office number is no mean feat for a superhero animated film, and ACROSS THE SPIDER-VERSE, the sequel of 2018's SPIDER-MAN: INTO THE SPIDER-VERSE, is now Sony's highest-grossing animated release in history. The film continues its money-making gains at the international box office by crossing the half a billion (USD) mark this week.

ACROSS THE SPIDER-VERSE follows about a year after the events of the first movie. Back at her own world, Gwen Stacey/ Spider-Woman (Hailee Steinfeld) has been dealing with her personal demons. She is feeling emotionally fraught after losing her best friend Peter, and being not able to reveal her secret identity to her dad. Later on, Gwen is roped in to join the Spider Society, which is headed by Miguel O'Hara (Oscar Isaac), the intense and intimidating Spider-man 2099 from Earth 928B. The secret society had been created mainly to prevent the collapse of the multiverse, and consists of numerous Spider-variants as members.

Cartoons Underground 2022 (22 Oct) Heads To Projector x Picturehouse - Get Your Tickets Now!

After two years of producing a virtual format during the Covid-19 pandemic, Cartoons Underground is back with a one-day in-person event for its 11th edition! The festival will be held on 22 October 2022 at at Projector X: Picturehouse cinema.

Cartoons Underground is Southeast Asia's largest animation festival. This year, it attracted 1,681 entries submitted from 96 different countries, which is the highest number of submissions received during the festival's 11-year run. 16 animation works have been specially selected to be screened during the event, followed by a Director Q&A, and a celebratory music-pumpin' afterparty.

Did you notice the many cats in the Cartoons Underground is banner? The drawing is by this year's festival artist Sarah Lim, a Yale-NUS graduate with a degree in Life Sciences and a minor in Arts and Humanities. Sarah scored an internship with Finding Pictures after attending animation courses for 2 years. She was then involved with prop and character design for their latest TV series, Puberteens, and is now eager to tell more stories through animation and art.

Cartoons Underground 2021 Celebrates Its 10th Anniversary from 20 to 27 November 2021

It is Cartoons Underground's 10th Birthday this year! To celebrate this joyous occasion, South-East Asia's biggest independent animation festival has expanded to a 7-day event from 20 to 27 November 2021. It will run as a hybrid event, with both in-person and virtual segments.

Cartoons Underground, the brainchild of Singaporean festival director Vicky Chen and celebrated American animator Patrick Smith, launched a decade ago with just a 2-hour animated movie screening session. Through the years, as interest for animation grew, the event included workshops and panels, as well as the annual Golden Durian Awards for excellence in animation. It was boosted to a 5-day virtual event last year, despite of restrictions due to the pandemic.

This year's National Day has shown the kind of magic our homegrown indie animation studios can do, so the festival provides a great opportunity to give them more exposure. Not only that, Cartoons Underground offers opportunities to connect animation art students - most who come from NTU and LASALLE - to the industry's professionals.

“We always believed Singapore had this huge potential to be a hub for independent animation for the entire region,” she says. “When we launched Singapore was trying to tempt the big international studios. But it’s the independent studios that have stayed and ten years on we’re seeing more and more people buying into our vision,” says Vicky Chen.



Cartoons Underground 2021 will still centre on the screening of new animated short films. The screening helps to showcase and introduce an eclectic range of animation films to local and global audiences. These films are in contrast to the easily marketable styles by Disney or Dreamworks, or even some anime, that many are already familiar with.

Included in the festival programme are two international competitions. One of the notable entries for the international competition is The Visit by Morrie Tan (LASALLE College of the Arts BA(Hons) Animation Art), an intimate stop-motion story about a girl and her thoughts whenever she visits her father in prison. Red Dot Diva first watched The Visit as part of the seven animated short film anthology Spectrum, which was co-produced by Singapore-based Robot Playground Media and Malaysia’s The R&D Studio. The Visit draws you in with quiet emotion, and the film has already received awards and is currently in the film festival circuit.

Tan Wei Keong, Programme Director of Cartoons Underground, also recommends checking out other entries, like Canada-based director Liza Desyatkova's Don't Think About Her. “It magnifies the agony of having a crush on someone and I love it that the director pushed the film over the edge to a laugh-out-loud effect,” Tan says.

There will also be a screening of films from students at Singapore’s NTU and LASALLE. In addition, the anniversary celebration will provide a nostalgic throwback of some of the very best films shown at Cartoons Underground over the last decade, including those by Singapore creators Sarah Cheok's The Growth and Davier Yoon and Joshua Tan's witty A Brief History Of Time. Incidentally, the latter is one of Tan Wei Keong's favourites.

“It's a joy to rewatch it a million times,” he says. “I always discover something new in the process. It's a gem in the local animation scene, so it's the perfect short to open the retrospective program.”

The expanded programme also includes three online panels about careers in animation. They are:

Developing the animation industry: The role of education (23 Nov, 8pm) looks at how Singapore’s animation industry can bring on the next generation of talent.

Beyond Animation: What’s next for creative graduates? (21 Nov, 2pm) brings together animation graduates who’ve built successful careers.

Future of monetizing in animation (25 Nov, 8pm) looks at the ways the new digital economy lets animator make money from connecting directly or indirectly with audiences.

On this weekend and next weekend, Cartoons Underground 2021's partner *SCAPE is hosting a four-day development lab on-site and providing Zoom webinars on topics including Non Fungible Tokens on Animation. On the last day of the festival (27 November, 1 PM SGT), *SCAPE Gallery will be hosting a limited in-person screening of animated movie TATSUMI. The film about Japanese manga artist Yoshihiro Tatsumi, was directed by local auteur Eric Khoo.

“Ten years really flies by when you’re having fun,” says Festival Director Vicky Chen. “Cartoons Underground really has been a labour of love. But seeing the reaction of audiences, following young animators as they embark on their careers, and watching indie animation really take root in Singapore is awesome payback for everything the CU team puts in.”

Tickets for Cartoons Underground 2021 is already on sale! To view the animation films and panels online, buy your ticket from this link - https://cartoonsunderground.com/ticketing-2021


More details about the festival are at Cartoons Underground's website at https://cartoonsunderground.com!

Star Wars: Visions - Stunning Visuals and Unique Stories In Anime Form

STAR WARS: VISIONS, an anthology of nine anime shorts, is wonderfully creative and goes right into the emotional core of what the Star Wars is all about. Even though it is not canon, the series offers a thrilling alternate universe, while taking you back to the mega franchise's Japanese roots.

Star Wars has always drew ideas heavily from Japanese culture. In interviews, George Lucas mentioned that he is a huge fan of Japanese auteur Akira Kurosawa. When you watch Kurosawa's 1958 black and white movie THE HIDDEN FORTRESS side by side with the original 1977 Star Wars movie, you will see the same story beats about a princess, a general, a pair of comedic peasants and the fight against a feudal lord.

Samurai lore and visual traditional Japanese aesthetic, like the ronin, lightsaber, Darth Vader's helmet and kabuki, are also embedded in Star Wars. Even in the sequels, you will find that the Japanese influences remain strong. In THE LAST JEDI, Rian Johnson paid homage to Kurosawa's RASHOMON by portraying the re-telling of young Ben Solo and Luke Skywalker's fateful incident at the training temple in three different versions. Also, Kylo Ren's repaired helmet in the last movie of the Skywalker saga is influenced by kintsugi, the Japanese art of repairing broken pottery.

The anime studios involved with STAR WARS: VISIONS are Kamikaze Douga, Geno Studio (Twin Engine), Studio Colorido (Twin Engine), TRIGGER, Kinema Citrus, Science Saru, and Production I.G. When Red Dot Diva was binge-watching the series, it was evident that the production teams adored the Star Wars franchise, and threw their hearts into it by putting their own unique spin to their animated shorts.

Local Animators Shine At Singapore's National Day 2021

It is one of the stalwarts of Red Dot Island's National Day celebration for about 4 decades. Every year, a new National Day song will be written and performed. Some of the songs are quite forgettable, but there are few that never fail to stir the spirit of our island's people.

Dick Lee's “Home” is a number one favourite for most people. So is the straightforward, no holds barred rousing anthem like “We Are Singapore”, which was written by Canadian advertising guy Hugh Harrison, who was working for McCann Erickson during the 1980s.

This year's National Day song, composed by local singer-songwriter Linying and music producer Evan Low, is like a breath of fresh air. “The Road Ahead” sounds youthful. Even so, it was able to touch the hearts of all generations with its underlying message of hope and encouragement for an uncertain future. During a stubborn and invasive pandemic like this, “The Road Ahead” soothes the soul.

Join in the Hijinks of Tom & Jerry Movie, Premieres 11 February 2021

Believe it or not. The classic cat-and-mouse chase in the guise of Tom and Jerry is still going on after 80 years!

This year, the duo continue with their trademark cartoony violence in a full-length, mixed live action and animation movie entitled TOM & JERRY. This is the characters' first theatrical release, with actors Chloë Grace Moretz, Michael Pena, Ken Jeong, Rob Delany and Colin Jost joining in the real world set. The movie is directed by Tim Story and produced by Chris DeFaria. TOM & JERRY will be opening at local theatres on 11 February.

Our favourite nimble and mischievous mouse Jerry has taken residence at a swanky New York City hotel, and has been spotted by guest, causing a massive mouse hunt to begin. Kayla (Chloë Grace Moretz), one of the hotel's employees, decided to hire a cat to solve the problem. And guess who that hapless cat turns out to be? Tom is reunited with his frenemy and their long-standing feud starts up again.

However, Tom and Jerry find out that someone else is conspiring against them as well as Kayla, and the three decide to team up together.

Cartoons Underground Returns With An Online Edition from 9 to 13 December 2020

So what if COVID-19 a.k.a. the Big Bad of 2020 is still lurking in the corners of Red Dot Island, and has prevented festivals and events from taking place? Cartoons Underground 2020, the island's very own animation festival, has in fact expanded from a 1-day evening festival to an exciting 5-day online event from 9 to 13 December 2020.

Of course, the festival, which is also South-East Asia's largest, will not be happening in their usual physical venue. Instead, attendees will step into an interactive and vibrant 360° virtual world created by CG lead Enrique Caballero.

Love is in the air

Within this immersive neon-lit cyberpunk 'hood, festival goers will be able to hunt for easter eggs, view films and behind the scene footages, and attend Q&A sessions with directors. Red Dot Diva had a sneak peek of the 360° world, which had tributes to Lady & The Tramp as well as the chef couple from the movie, Ratatouille. According to Enrique Caballero, he felt that during this difficult year, we all needed more love. Since the locals love shopping online, there will also be an art market where you can buy unique items for your own collection or as presents.

While the pandemic continues to rage on in several parts of the world, live action TV and movie productions have either halted or have been delayed. But as the saying goes, every cloud has a silver lining. Seemingly pandemic-proof, the animation industry is set to boom in the next 5 years due to market demand, and for the practical reason that most of the work can be performed remotely.

Red Dot Diva welcomes the rise of animation movies. They are not just for kids and children. There are the cookie-cutter Disneys, Pixars, Dreamworks and well-loved Studio Ghibli films, and then there are so many others that fall in between or out of those familiar lines that are as beautiful and moving.

Cartoon Network Premieres New Animation Series MONSTER BEACH on 25 April 2020

To the agony of fellow Red Dot Islanders, Circuit Breaker just got extended. It is going to be tough to keep the younger ones interested and energised till 1 June, while keeping them safe at home during the COVID-19 pandemic.

To add on to the list of fun things that the children can do, Red Dot Diva recommends Cartoon Network's brand new animation series called MONSTER BEACH. Surf-siblings Jan and Dean have been sent to live with their distant Uncle Woody on a tropical island called Iki-Iki. Hanging out on the island's very happening Monster Beach, is a kooky and colourful gang of monster surfers.

Together, the siblings and their monster friends cruise around the island attempting to solve a series of freaky mysteries and legends, while fending off the resident bad guy Dr. Knutt, who happens to be the leader of a tribe of tiki monsters. It is simply the kind of cool, endless summer vacation that any kid would dream of!

Take a peek at this karaoke sing-a-ling video to get acquainted with the various misfits of MONSTER BEACH:

Cartoons Underground 2019 (9 November 2019) Shines Spotlight on Women Animators

Animation movies are more than just Disney princesses and a bunch of talking toys. To get familiar with the sheer variety of topics and directorial styles, head down to Cartoons Underground 2019, Asia's leading indie animation festival, at Kult Yard, 195 Pearl’s Hill Terrace next Saturday, 9 November, 6PM to 11PM.

The Cartoons Underground festival began in 2012, by founders Patrick Smith, Director of MTV Daria, and Vicky Chen. This will be the event's 8th year celebrating the visual wonders of animation films.

There was a record-breaking 1,416 entries from all around the world, as film makers vie for a spot in the festival's screening schedule, as well as to compete at the coveted Golden Durian Awards for Best Film, Best Director, Best Student Film and Audience Choice Award. After much deliberation, 19 short films were selected for screening by Cartoons Underground's Programming Director and recent Singapore Young Artist Recipient Tan Wei Keong.

Some of these entries have won awards at Ottawa Animation Festival, Zagreb Animation Festival and Edinburgh international film festivals. 13 of these films showcased during the event are by women directors.

Get Enchanted By ArtScience Museum's Disney: Magic of Animation Exhibition

Be ready to be enchanted (or bewitched) at the DISNEY: MAGIC OF ANIMATION exhibition, which opens at ArtScience Museum today, 26 October 2019. With displays consisting of over 500 over pieces of original drawings, concept art and paintings from the vault of Walt Disney Animation Research Library, this specially curated exhibition is something that a Disney fan should not miss!

Visitors are taken on a journey on Disney's 90+ years of animation, from a recreation of both retro and modern versions of an animator's work desk, to the various processes related to the iconic movies, like Snow White and the Seven Dwarfs (1937) to The Lion King (1994), to recent hits, like Frozen (2013), Big Hero 6 (2014) and Moana (2016),

Upon entering the first gallery, Red Dot Diva felt like she had stepped into animation history. The area was about the brilliance and skill of 2D animation, and includes a tribute to Steamboat Willie (1928), the black and white short film that featured Mickey Mouse's very first appearance.

Fans can get step into a recreation of the famous steamboat and get their selfies, while the Steamboat Willie is screened beside it. Even though the art of animation has progressed in leaps and bounds by now, the old film is still as charming as ever.

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Makoto Shinkai's Latest Movie "Weathering With You" Premieres in Singapore on 6 September 2019

After the astounding international success of the body-swapping, time travel love story “Your Name” in 2016, fans of Makoto Shinkai have been looking forward to enjoy more imaginative tales and dreamy landscapes in his signature style.

“Weathering With You” is Makoto Shinkai's latest animation masterpiece. In the long awaited movie, the city of near-future Tokyo is facing an unusual deluge of rainstorms. Hokada, an underaged runaway tries to look for a job and ends up as an intern in a publication that investigates strange phenomena, one of which is a story about "sunshine girls". He meets and befriends one of them, Hina, who is able bring on clear skies through prayer. Both of them decide to use and monetise her superpowers... but surely, there is a price to pay for that?

When the movie was released in Japan earlier this year, it raked in takings of over USD100 million (10.7 billion yen) at the domestic box office, officially making it the biggest Japanese film domestically since “Your Name”. It has also been chosen as Japan’s entry for the best international feature film category at the 2020 Oscars.

“Weathering With You” has since been released in Hong Kong and Indonesia, and has topped box offices in the opening week in both countries.

Singapore audiences need not wait too long to experience another of Makoto Shinkai's enigmatic tale of young love unfolding in stunning, photorealistic backdrops. The Singapore premiere of “Weathering With You” (organised by film distributor Encore Films), will be held at Capitol Theatre this Friday, 6 September.

Hardcore fans can be one of the first to watch “Weathering With You” at this special event on 6 September, before the official theatrical release on 12 September 2019. All they need to do is buy the tickets at this link. At the cost of SGD 55 per ticket, fans will also be able to redeem exclusive movie premiums, like the transparent umbrella and notebook as seen in movie, an A2 movie poster and invite card. Seats are filling up fast, so get your tickets pronto!

Here's the trailer for “Weathering With You”:

Tumble into Artscience Museum's Wonderland Exhibition, Opens 13 April 2019

Photo: Phoebe Powell

Look out for the White Rabbit! Then, follow him down the rabbit hole into Wonderland, a new exhibition at Artscience Museum that opens on 13 April 2019. The interactive and whimsical exhibition is based on Lewis Carroll's beloved book series “Alice’s Adventures in Wonderland” and “Through the Looking Glass, and What Alice Found There”.

Red Dot Island is the first stop of Wonderland's global tour. Developed by Australian Centre for the Moving Image (ACMI), Wonderland aims to enchant readers and audiences with immersive environments consisting of theatrical sets, stunning props and audiovisual works.

Alice and her adventures in Wonderland has inspired countless movies, comics, games since 1865, and has also become a pop culture icon through the ages. The Wonderland exhibition shows how she has been interpreted and adapted through the centuries, by pulling together an amazing range of original behind-the-scenes material that includes over 300 artefacts and objects, like original 19th century manuscripts, first edition books, imaginative drawings, fantastical costumes, films and so much more.

In addition, Wonderland will also show the technological advances and progress with animation, puppetry and special effects from the era during the first Alice movie adaptation by Cecil M Hepworth in 1903 to the recent TV shows and films produced and screened in the 21st century.


Wonderland at ArtScience Museum

Here is a brief run down of what visitors can expect in the upcoming Wonderland exhibit.

Starting from Lewis Carroll's drawing room, visitors will be given their own Lost Map of Wonderland to use as a guide in exploring the area. But first of all, you have to choose to be one of the four characters – the White Rabbit, Cheshire Cat, the Queen or the Mad Hatter - which will set you on a path consisting of secret doorways, winding corridors, and interactive props that beg to be touched and fiddled with.

Photo: Phoebe Powell

The journey continues through the Hallway of Doors, to the Pool of Tears, the Looking Glass House and then, to the Queen's Croquet Ground, where you can become one of those on screen taking part in a croquet game.

Photo: Phoebe Powell

Most wondrous of all is the immersive centrepiece of the exhibit - the Mad Hatter's Tea Party! Sit down and be one of the kooky guests at a table served with giant tea cups, surrounded by a digitally projected dreamscape.

Photo: Phoebe Powell

Leave the adult world of logic behind when you step into topsy-turvy Wonderland, as things get curiouser and curiouser, and where it is OK if you think you have spotted a glimpse of the Cheshire cat's mysterious grin from the corner of your eye.  


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Tickets are available for purchase from 1 April onwards at all Marina Bay Sands box offices and website. Wonderland opens its trippy doors on 13 April till 22 September 2019

For more information, head to this link - https://www.marinabaysands.com/museum/wonderland.html

Why “Spider-Man: Into the Spider-Verse” is THE Best Spider-Man Movie

Sony Pictures' animated movie “Spider-Man: Into the Spider-Verse” has created waves across the geek world with its simple yet iconic storyline that has a lot of heart and chockful of easter eggs, accompanied by eye-popping dash of colour and a snappy pace. Red Dot Diva loved the movie too, and thought it was the best animated movie of the year.

“Spider-Man: Into the Spider-Verse” translated the characters from the 2D comic book pages to animated form, by fleshing out the characters whom we love, like Peter Parker (Jake Johnson for the scruffy 'B' version), Gwen Stacy (Hailey Steinfeld), and the latest Spidey hero Miles Morales (Shameik Moore) in such a delightful manner. It made us even feel a little for the villain, Kingpin (Liev Schreiber). 

The animated feature is also a beautiful, heartfelt tribute to Spider-man's creators Stan Lee (who passed away a month ago), and Steve Ditko. For those sniffle-worthy moments, do not forget to stay on for the movie's post-credits, for which there are two.

Red Dot Diva's fellow geek pal Wayne Rée watched the movie and loved it as well. Here's Wayne's review of “Spider-Man: Into the Spider-Verse”:

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I’ll just say it right up front. “Spider-Man: Into the Spider-Verse” isn’t just my favourite movie of the year, it’s also one of my favourite superhero movies ever, one of my favourite Spider-Man stories in any medium, and easily my favourite Spider-Man movie.

Your mileage may vary on all the Spider-Man live action movies thus far. I personally think that Sam Raimi and Marc Webb’s respective series were both flawed overall, but with moments of brilliance, and while Homecoming very much got the spirit of the character right, a lot of the action was pretty choppy. (Don’t @ me, guys.)

Why Into the Spider-Verse tops all of them for me, however, is that it’s the one that didn’t just nail the spirit of the character, but it also tapped into the idea of why we al love Spider-Man.

Illustration Arts Fest is BACK on 22 & 23 September, LASALLE McNally Campus

Colourful, quirky and unabashedly indie, the Illustration Arts Fest (IAF) returns to LASALLE McNally Campus this coming weekend on 22 and 23 September.

The Organisation of Illustrators Council (OIC) put the show together for the first time in 2016. This will be the 3rd anniversary of the show, and it is already one of Red Dot Diva's favourite annual art event.


Here are 5 Reasons Why You Should Come To This Year's IAF too!

1. Vibrant Artists Market
The Artists Market at Illustration Arts Fest is the best thing ever. It is busy, inventive and vibrant. With over 100 indie artists and illustrators from Red Dot Island and nearby countries taking part, no wonder it's a crowd puller.

Red Dot Diva recommends those who visit IAF to check out the booths by her friends and acquaintances, like Jessica Emmett, Inky Cat Studio, The Rolling Ronins (with Wayne Rée & Rex Regrets), Danger Gene, toy designers Daniel Yu and Ziqi Wu, and not forgetting, the comic creators from COSHStudios.

The art style is wide ranging and eclectic, as the list of artists include the popular Muffinsaurus, artists Billy Yong and Zu Orzu, Fingersmith Letter Press who specializes in illustration and hand lettering, Inez Design with embroidery art and Rakasa Print Studio from Malaysia who does silkscreen art.