The Hitman And The Assassin - A Singapore-UK Action Short Film Premiering Internationally 19 Jan 2025

Forget about Bridgerton and Downton Abbey. It is time to watch something different by leaping right into an action-packed SG-UK short film collaboration entitled “The Hitman And The Assassin”. The action film which was directed by William Axtell, stars UK action actor Colin Squire and Red Dot Island’s own action actor and film-maker, Jonathan Cheong.

Colin Squire, also the producer of the film, fell in love with action movies when he was a young child. From then on, Colin learned and tried different kinds of martial arts, including karate, kickboxing and taekwondo. His foray into acting came by when he took a workshop by British action star Mark Strange during the pandemic lockdown. When the lockdown was lifted, Colin was given the chance to star in a couple of Mark Strange's short action films, including “Combat Zone”. “Combat Zone” went on to win a string of awards at film festivals.  

8 years ago, local actor Jonathan Cheong started out Raging Fire Productions, with a vision to uplift genre films in Red Dot Island. Inspired by his idol and role model Donnie Yen, Jonathan strives to produce realistic fight sequences coupled with engaging story-telling. To date, Jonathan has worked on several movies, short films, TV shows, promotional gigs, web series and more. Some of these titles include the celebrated “Star Wars fan film Legend Of Hope: A Star Wars Fan Film” (2020), awrd-winning “Bullet For Vengeance” (2023) and a memorable role as Bearded Man in Kuman Films' viral dystopian movie “Pendatang”. For most of these own productions, Jonathan provides the choreography for the action sequences .

After meeting at the Fighting Spirit Film Festival last year, Colin and Jonathan bonded over their passion about action movies and discussed about doing a short film together. The result is a fun (and also, funny) action short film where a Singaporean Assassin bids for the same victim as a Brit Hitman. Will they end up eliminating each other? Or will they become deadly frenemies?

“The Hitman And The Assassin marks the first time I'm part of a project in the West,” says Jonathan Cheong. “What's fun and unique is that I'm not playing an English but rather a Singaporean Hitman that happens to somehow be on the soil of England. And it just so happens that another local Assassin is there to do his job!

The film may seem to be really simple and direct, but it sets up alot of potentials for the future sequels to come! What's another interesting aspect is in the title itself. The Hitman and the Assassin! The film literally plays the stereotype we think of in movies of which the Hitman being better dressed than an Assassin! There is alot of humor but really intense action scenes coupled with!”

Colin Squire added, “The Hitman And The Assassin gave me a huge opportunity to learn and work with the talented Jonathan Cheong, and brilliant Will Axtell. Jonathan approached me with a great first concept which was a bit more serious but it soon evolved naturally in to a shorter action comedy with I believe turned out for the best.

The story has been done many times, but I think our fun, short film has some great action sequences and has laid the foundations for all of the three characters to evolve. Ben created a fun character spontaneously because in the original version he was not even meant to talk, if the opportunity allows us it will be interesting to see how the Hitman and the Assassin's relationship grow.”

“The Hitman And The Assassin” premiered at Bristol’s Forbidden Worlds Film Festival. Even though the film did not win an award in that festival, it garnered several awards in other notable film festivals in 2024. These awards include Best Action and Best Poster at No Country For Old Film Festival, Best Action Short at Paris Film Awards, and Best Poster and Best Comedy Action at International Film Festival.

Look out for the film as it is set to premiere internationally on director Will Axtell’s Youtube channel on 19 January 2025.


Colin Squire and Jonathan Cheong will also be appearing as special guests of the next Live With Red Dot Diva happening this Sunday (15 December 2024), at 11 PM SGT (3 PM GMT) on Red Dot Diva’s Facebook Page and Youtube channel. Join in to catch clips from the movie, chat with the actors and you get the chance ask them questions about the action film industry.

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Cartoons Underground 2024: Interview With The Creators Of Animation Short Film "I Think I'm Going To Die"

Southeast Asia's largest independent animation festival Cartoons Underground 2024 will be having a one-night only animation short film screening on 19 October 2024 at The Projector @ Cineleisure. The screening will feature a total of 14 specially selected films.

One of these films in the Singapore Student Competition segment is a stop-motion animation and mixed media feature entitled “I Think I'm Going to Die” by Ning Xuan Tan, Audrey Yong and Meghan Poh. The trio are recent graduates from Nanyang Technological University, School of Art, Design, and Media, and “I Think I'm Going to Die” was their final year project. The film is about a young girl who discovered that she had a mysterious condition, and in a panicked state, scurried around looking for a diagnosis.

From left to right: Ning Xuan Tan, Audrey Yong and Meghan Poh

Director Ning Xuan Tan is a writer, editor and illustrator and loves telling stories that create compelling emotional connections. Her first film “Paper Offerings,” co-directed with Vanessa Ng and Winona Mazo, has been selected for a number of film festivals and was won first place at the 100-Second International Film Festival in Tehran.

The Art Director of the short film is Meghan Poh, a designer, illustrator, and animator, who enjoys experimenting in different ways of telling visual stories. Rounding up the core team is Head of fabrication, lights and rigging Audrey Yong, the stop-motion expert who also has a specialisation in 2D drawn animation and compositing.

Red Dot Diva had the pleasure of interviewing the team, and asked them about their process while creating “I Think I'm Going to Die”. They also shared with her what their aspirations are in the near future!

Red Dot Diva: Congrats for getting selected for Cartoons Underground! What made you decide on the theme of your short film?
Ning Xuan: Animation is a vehicle for spreading awareness and bringing experiences to others, so I really wanted to do a social issue which many could relate to. It was also exceedingly important to me that I was very familiar with the topic. So the theme of women’s health, followed by a bit of cyberchondria just seemed to be a good theme to talk about. I think in our world today, it’s just so easy for us to google search our illnesses. And then we’d have to try to figure out whether or not we’re actually dying, or is it just a part of being a woman.

Audrey: Animation is also the best medium for trying to visualise and communicate issues to a larger group of people who would never in their life experience the same problems. It’s very “If you know, you know” when it comes to women’s issues, so we wanted to make something that would instantly connect with other girls.

Red Dot Diva: Stop-motion animation is such a back breaking art, with so many bits and pieces involved in its process. How do you get things organised so that you can be creative and yet meet your deadlines?
Ning Xuan: We had clear roles, but we ended up being quite chaotic. What we wanted to do was to complete our film (from making a set, to animation to compositing it into a video) in sections, based on the mediums. And each person would have a job in that medium, like rigging the puppet, building the set, animating, post-production etc. So we’d set deadlines for ourselves, creating a pipeline and hoping to be done with a medium and then moving on to the next medium.

But we were slow because we had to keep experimenting and working things out. Our pipeline of work would fail because of this, and we’d jump over to help each other which slowed us down more. We’d end up juggling multiple jobs. I think there were times when I didn’t have a rest day at all for weeks because we couldn’t meet our deadlines.

Still it really helped that our film had so many things to do, I’d find myself editing, making paper flowers, colouring with crayons, felting, and then sculpting a plunger. So creatively, I was never completely burnt out since there was always something new and exciting to do. In that aspect, it meant that I was always quite productive. And once things were going, it was easier to be inspired and motivated to finish the scene. I would always feel incredibly happy after we complete a shot, because just seeing all our hard work put together, even if it’s just a few seconds, makes it all worth it.

Audrey: It’s organised chaos for a film at this scale – we always plan things to go one way but end up realising that it’s not realistic while we’re in the midst of it. Our flexibility with our planning both helped and hindered us, but I think it was the reason we got it all done in the end. The key was to make sure we were all doing something at any given point in time – if I’m still fixing Lily’s puppet for one scene, I’d ask Ning Xuan to help me get the set for the next scene ready in the meantime, while Meghan animates the shots in a different scene that doesn’t require the puppet I’m currently fixing. As long as we were optimising for simultaneous work, we were somewhat on the right track.

Red Dot Diva: It's interesting to note that the film involves different animation mediums and styles. What is it about the story that fits this choice of direction?
Ning Xuan: I wrote this story knowing that I wanted a stop motion animation film that could let me experiment as much as possible. With this in mind. I thought of creating a story of a girl that could travel through different worlds searching for a diagnosis. So this gives us an opportunity to reasonably use different mediums and styles throughout the film. Our professor, Bernhard, would also always tell us, “why use stop motion? Why not 2d or 3d animation?” He would try to get us to think about why we are using a certain medium for each part of the story. So the entire story was really carefully considered with each medium.

Meghan: The core of the story is really about transformation, Lily (the main character) is changing physically and psychologically, and the way the world sees her is changing as well... it’s fitting that the film’s art direction is all about shifting from medium to medium!

The medium changes are also done very deliberately—there’s one transition from sand to paper that blends the two materials together and even uses a special puppet only present in that transition—and this all underscores the journey that she is on. I really enjoy when films use visual techniques usually reserved for epic drama to illustrate the emotional impact of seemingly mundane experiences. Lily is facing something completely unfamiliar to her, her world is turning on its head, and animation is such an imaginative medium to pull the audience along for the ride.

Red Dot Diva: What were the best and worst parts of making this film?
Ning Xuan: I think the best part is being surprised by how good a medium looks as a final product. There were a lot of times we were just going in blind not knowing what we’re doing half the time, just trying our best. My team would always say we just have “5 bucks and a dream.” And then we’d be in complete shock when we light it all up, set up our camera and things actually look amazing.

The worst part for me was the uncertainty of the whole film. Sometimes, it just felt as if our hard work amounted to nothing. Because we were working so hard, experimenting and yet we wouldn’t have a lot shot on camera. The thing about stop motion is that more time can be spent making and preparing things, and if we don’t do this well it’s super hard for the animator to animate. So we were always slow in our cohort because we didn’t have just as much filmed and shot as they did. But I’ve come to accept that stop motion is all about problem solving disasters. And while we were slow we completed things at a good pace and even managed to finish the film early.

Meghan: The best part is that I came out the other end still loving the process of animation, thanks to a wonderful team. I don’t think most people get to see how tedious, lonely, and borderline painful animation can be—spend hours and hours in a dark little room pushing grains of sand around in very specific ways and you start to lose your mind a bit. The worst part is that I’m not sure when I will have the time and resources to make something at this scale again...

Audrey: The worst parts for me were all the unprecedented problems we encountered. There’s a lot of unknown when it comes to stop motion because it’s a lot harder to execute than any other kind of animation - our built assets need to last, our rigs need to function the way our animators need it to, etc. At some point I was literally fighting science because the type of silicone rubber I had just happened to be the kind that didn’t cure when in contact with resin. Things like these are impossible to account for without experience, so it really felt like we were wandering around a dark room with no flashlight in those moments. The best part was probably the entire process of making something in stop motion. I’m now more convinced than ever that this is something I wholeheartedly love and enjoy.

Red Dot Diva: What is your favourite stop-motion animation movie?
Ning Xuan: A classic for me would be Coraline, I watched this so many times when I was a kid I could recite the script. I just love how uncanny it looks. But currently? I have to say Pui Pui Molcar. There’s just something about both films that really shows that every scene was handmade with love.

Meghan: It was an experimental stop-motion short that made me decide to major in animation: Furniture Poetry by Paul Bush. I didn’t know that animation didn’t always have to be representational or narrative-driven.

Audrey: The one that stuck with me the most from my childhood was The Boxtrolls. But I’ve also been really loving Pokemon Concierge.

Red Dot Diva: After the premiere at Cartoons Underground, what are your key aspirations regarding the art of animation film-making?
Ning Xuan: We’ve been trying to work out something as a team again to make another stop motion film for fun. I just love stop motion so much it would be a shame if I can’t do this again, I will just be open to opportunities in the future.

Meghan: I want to make a film again, whether it’s with this team or on my own or in some other way. It’s a really rare, precious opportunity to make a movie that isn’t business and doesn’t have to bend to the world, one that I’m not sure will come by again.

Audrey: Future stop motion projects aside, I’m interested to see how far we can carry the stop motion medium with us. I feel like it's so rare to see stop motion outside of a film format. It would be really cool if we had the opportunity to work on a stop motion game or visual novel.

Red Dot Diva finds it super exciting to see how energetic and imaginative our local animation and film students can be, and you will be even more impressed by their work when you watch their short films at Cartoons Underground 2024 next weekend. Go grab those festival tickets now!


CARTOONS UNDERGROUND FILM SHOWCASE
Date: 19 October 2024 (Saturday)
Times: 7 PM
Duration: 1 hr 36 min
Venue: The Projector @ Cineleisure - https://theprojector.sg/films-and-events/cartoons-underground-2024
Admission: Standard tickets at $20 each. VIP Ticket at $40, includes exclusive Cartoons Underground 2024 Merchandise

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Writer/ Director Anthony Ferraro Talks About The Making of Horror Sci-fi Short Film Wakener

Horror sci-fi short film WAKENER is a laudable contribution to the enduring Cthulhu Mythos that originated from iconic American writer H.P. Lovecraft. The indie piece, starring Rhomeyn Johnson, Nimo Purcell, Sapna Gandhi, Anthony Di Petro and Jonathan Castile, is the brainchild of writer-director Anthony Ferraro. Ferraro is best known as the creator and host of the popular Create Scifi Youtube channel.

WAKENER tells the story of an impromptu mission to investigate the sudden appearance of a mysterious ghost ship that carries ancient tech. Despite budget constraints, the cinematography look sleek and very well-executed. Ferraro is undoubtedly a skilled scriptwriter and world builder. He manages to set up each of the character's individual motivations that propel towards the unfortunate events at the finale.

It is also impressive how Ferraro and his team were able to visually capture the audience's attention through artful lighting of the cast, accompanied by detailed self-built costumes, props and sets. Some of the acting was not as nuanced as Red Dot Diva would have preferred, however, the atmospheric feel of the film as a whole, was a haunting and memorable experience.

After watching WAKENER a few times, Red Dot Diva wanted to find out more about what goes behind the scenes. She had the pleasure of chatting with Anthony Ferraro about the production process.

Sci-fi Short Wakener by Anthony Ferraro To Debut At Create Sci-fi Youtube Channel, 9 June 2023

Acclaimed writer/ director and indie film-maker Anthony Ferraro is paying homage to the works of H.P. Lovecraft with his next short film WAKENER. H.P. Lovecraft is one of the most influential writers of the 20th century. He is best known for his weird fantasy, horror and science fiction stories, particularly the Cthulhu mythos, which continues to inspire artists, authors, film makers and game developers around the world.

In his latest horror-scifi film WAKENER, Ferraro tells the tale of a broken ship technician and an ambitious young officer, whose paths collide while investigating a Ghost Ship, which holds ancient tech that has been outlawed. What kind of monstrous fate is waiting for them within the mysterious ship?

Interview With Actor-Producer Jonathan Cheong About Award-Winning Action Short Film Bullet For Vengeance

At the age of 26, local actor-producer-action director Jonathan Cheong not only owns a film company called Raging Fire Productions, he already has a couple of award-winning action short films under this belt. Jonathan played a conflicted hitman in his 2021 film “Deadlock”, and he was awarded Best Actor at the World Film Carnival Singapore (WFCS) for the role. “Deadlock” also won Outstanding Crime Film and Best Outstanding Director for Samuel Delitans Lee at WFCS, and was selected for seven international film festivals.

Fueled by his passion for action genre films and ardent admiration for veteran martial arts actor Donnie Yen, Jonathan consistently puts in time and effort to hone his craft. His latest Raging Fire Productions offering entitled “Bullet For Vengeance” is an action thriller about the personal feud between between a criminal and a police inspector over a shooting gone wrong. The short film written and directed by Raphael Lim, stars Jonathan Cheong, Gary Gan, Johanna Van, Agnes Goh and Kris Mavericko.

To date, “Bullet For Vengeance” has clinched an impressive total of 8 Awards, 8 Official Sections and 7 Special Mentions at the local and international film festival circuit. This includes Best Cinematography by Benny Tan at the World Film Carnival Singapore (WFCS), Best Supporting Actor awarded to Kris Mavericko and Best Supporting Actress to Agnes Goh at the Golden Reel International Film Festival (Massachusetts, USA).

Ahead of the official release of “Bullet For Vengeance” for the general international audience, Red Dot Diva grabbed hold of Jonathan Cheong to ask him some nosy questions:

MY RODE Reel 2020: Vote for Singapore Entry CLOSING TIME by Kyle Ong and Wayne Rée

A few months ago, Red Dot Diva held a livestream with her friend Wayne Rée to discuss about horror stories in this region. While introducing the South-East Asian podcast called GHOST MAPS that he is involved in, Red Dot Diva had expressed a wish for more local horror films that would appeal to today's audiences. A good scare is always cathartic when things get tense, don't you think? Like during a pandemic, for instance.

Then, suddenly... BOOO!!! just right in time for Halloween, Wayne messaged Red Dot Diva with a piece of spooky good news. Together with his GHOST MAPS collaborator and film maker Kyle Ong, they have made a horror-comedy short film called CLOSING TIME (打烊). The film had been submitted to MY RØDE REEL 2020, dubbed as The World's Largest Short Film Competition.

My RØDE Reel Short Film Competition, currently at its 7th year running, is organised by RØDE Microphones. This year, the highest cash prize ever is being offered for a short film competition. How much you ask? A glorious $1 million in cash is up for grabs!!

CLOSING TIME (打烊) is about a young couple Steven and Mavis who own a small convenience store. One late night, after an encounter with a friendly ghoul, they begin to receive several new (old?) supernatural customers in the dead of night.

Diva's Review: Scifi Short Film AFTER_LIFE by Perry Lam Tugs at the Heartstrings

It is usually during times of stress, isolation and uncertainty, that people tend to take stock of their lives. When you are forced to live in the company of those in your household for days on end, it can either be a bittersweet feeling, a sense of relief, or for many others, torrents of extreme frustration and anger.

However, during this time of the COVID-19 pandemic, when the elderly are the most vulnerable of contracting and dying from the disease, most of us are holding our parents and grandparents nearer and dearer to us, even though they may be an annoyance in our daily lives.

The short local film called AFTER_LIFE is a reminder to appreciate those we love, and if you are brave, to verbally express that you love them too. Time and life can be fleeting, and in a moment, things that once know can change drastically.

AFTER_LIFE, written & directed by Australia-based Perry Lam, is a short story with a scifi twist. It tells the tale of a young man named Kurt, who learns to find meaning between the realms of imagination and reality, and how to deal with the consequences of his loss and regrets.