Showing posts with label Erik Matti. Show all posts
Showing posts with label Erik Matti. Show all posts

Saturday, November 6, 2021

Folklore Season 2 Ups The Scare Factor With More Asian Horror Stories

FOLKLORE Season 1 (2018), HBO Asia's original anthology series consisting of horror stories from Indonesia, Japan, Korea, Malaysia, Singapore and Thailand, was a success in the international film festival circuit. Award-winning film-maker Eric Khoo is the creator and showrunner of the series, and various episodes were screened in major festivals like Toronto International Film Festival, Tokyo International Film Festival, Geneva International Film Festival, Fantastic Fest (Texas, USA) and Asian World Film Fest (California, USA).

The best thing about FOLKLORE Season 1 was how novel it was. Compared to East Asian lore, South-East Asian stories are rarely known internationally. FOLKLORE managed to lovingly capture the essence of some of South-East Asia's favourite momoks (phantoms/ bogeymen) with a high production values.

There are a couple of stories in the first season that are still visually ingrained in Red Dot Diva's mind. They are POB, the brilliantly filmed black and white Thai ghost story by reknown director Pen-Ek Ratanaruang, and the more traditional and partially socio-political tale of the TOYOL by Malaysian director Ho Yuhang. That just shows how creepy and memorable Asian horror can be compared to the Westernised ones, which tend to over-explain the supernatural.


Well, come 14 November 2021, horror fans can expect more scares as FOLKLORE is set to increase the fear factor for a second season. There will be six new episodes about the human condition when faced with the deeply rooted superstitions and myths in Taiwan, Japan, Thailand, the Philippines, Indonesia and Singapore. Each of the stories is helmed by a director from their respective territory, with a special spotlight on two female directors this new season. Famous Japanese popstar Seiko Matsuda makes her directorial debut in the episode about a lonely Japanese idol, and Singaporean director Nicole Midori Woodford unveils the roots of a family trauma.