Showing posts with label Guy Unsworth. Show all posts
Showing posts with label Guy Unsworth. Show all posts

Wednesday, April 25, 2018

SRT's Shakespeare in the Park : Julius Caesar - Diva's Interview with Director, Guy Unsworth


Freelance director Guy Unsworth is currently back here working on another Singapore Repertory Theatre (SRT) production - the upcoming performance of Shakespeare in the Park : Julius Caesar.

Last year, he directed the dark comedy SRTs "Hand of God", which scored positive reviews from critics and audiences. His recent works include an acclaimed UK tour of John Steinbeck's "Of Mice and Men" and his own adaptation of "Some Mothers Do 'Ave 'Em".

Even though he is busy getting the play ready for the 2 May launch date, Red Dot Diva managed to grab a few minutes of his time for an interview:

Red Dot Diva: How did you get involved with SRT's Shakespeare in the Park: Julius Caesar? 
Guy Unsworth: I was introduced to Gaurav Kripalani and Juliet Chia back in 2016 and since then we’ve been talking about the exciting potential of Julius Caesar. I came to Singapore last year to stage Hand to God, and since then have been working solidly on this production.

RDD: What is it like adapting the play for Singapore audiences?
Guy: It’s a fun challenge. I was very keen to find a contemporary equivalent that would work in the international community of Singapore. There’s a lot of talk about Rome and Romans in the play, but specifically the honour, history and responsibility that that identity carries. The big question for me to answer therefore was ‘What is the equivalent of Rome today?’. More than just a literal place, 'Rome' is an identity, it’s a community, and a title which binds these people together. It then struck me that intergovernmental organisations like NATO, the UN, G7, G20 etc. carry stakes on a much more global scale. They require their members to work as a team, but inevitably alliances form and factions are made. And where better to have lots of different nationalities coming together than Singapore? So it seemed a perfect fit to set this at a R.O.M.E. summit.

I was also excited by the age range of the Singapore audiences and I want the show to reach out to younger audience members. When I was a teenager I found Shakespeare very difficult to get my head into, so whenever I direct it, I'm very keen to bear my younger self in mind. It's going to be pretty fast and furious, and there are lots of theatrical surprises along the way. I want to make something which my teenage self would have enjoyed.

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